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	<title>Louis Wine &#8211; Irish Antique Dealers Association</title>
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	<link>https://www.iada.ie</link>
	<description>Expertise, Quality, Ethics</description>
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		<title>English Antique Silver dessert lunch fruit set London 1878 Geo Adams</title>
		<link>https://www.iada.ie/product/english-antique-silver-dessert-lunch-fruit-set-london-1878-geo-adams/</link>
		
		<dc:creator><![CDATA[Louis Wine]]></dc:creator>
		<pubDate>Thu, 05 Mar 2026 17:22:19 +0000</pubDate>
				<guid isPermaLink="false">https://www.iada.ie/?post_type=product&#038;p=24626</guid>

					<description><![CDATA[English Antique Silver dessert lunch fruit set London 1878 Geo Adams]]></description>
										<content:encoded><![CDATA[<p>Very rare 30 piece English Antique Sterling Silver dessert lunch or fruit set, London 1878 George Adams. Rare unusual pistol grip green stain parkesine (natural cellulose) handles. Parkseine was precursor to Bakelite. The 30 piece set comprises 10 Spoons with rat tails bowls, 10 scimitar blade knives and 10 three tine forks, all fully hallmarked for London 1878 George Adams. Length of knives, spoons and forks: 8 inches, 7.50 inches and 7.25 inches respectively.  Condition: Excellent, no scratches, wear or cracks to handles. Reflections purely from photography only. A fabulous set free of any issues. Photographs really do not do justice.</p>
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		<item>
		<title>Christofle Art Deco Luc Lanel design Champagne Wine Bucket Cooler, C.1930</title>
		<link>https://www.iada.ie/product/christofle-art-deco-luc-lanel-design-champagne-wine-bucket-cooler-c-1930/</link>
		
		<dc:creator><![CDATA[Louis Wine]]></dc:creator>
		<pubDate>Thu, 05 Feb 2026 20:02:13 +0000</pubDate>
				<guid isPermaLink="false">https://www.iada.ie/?post_type=product&#038;p=24617</guid>

					<description><![CDATA[Christofle Art Deco Luc Lanel  Champagne Wine Bucket Cooler]]></description>
										<content:encoded><![CDATA[<p>Christofle Art Deco Luc Lanel design Champagne Wine Bucket Cooler, C.1930. This design very rarely seen with square shape handles. Height: approximately 8.25 inches. Christofle O Gallia mark on base and design number 0408. Condition: Good. Minor wear commensurate with age, mentioned purely for accuracy purposes only. Reflections purely from photography only.</p>
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		<item>
		<title>18K Moonstone Modernism Ring</title>
		<link>https://www.iada.ie/product/18k-moonstone-modernism-ring/</link>
		
		<dc:creator><![CDATA[Louis Wine]]></dc:creator>
		<pubDate>Wed, 26 Nov 2025 20:48:22 +0000</pubDate>
				<guid isPermaLink="false">https://www.iada.ie/?post_type=product&#038;p=24534</guid>

					<description><![CDATA[18K Moonstone Modernism Ring]]></description>
										<content:encoded><![CDATA[<p>1970’s 18K Moonstone Modernism Abstract Ring. Stunning Ring with two oval cabochon moonstones bezel set each within a groove like quadrilateral setting, plain tapered mount. Stamped 750 on interior of shank. Top measures approximately 17 x 23 mm. Ring Size: 7.5. Total Item Weight: 16.54 grams. French gold owl import mark to outside of shank. Condition: Good. Reflections purely from photography only</p>
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		<item>
		<title>French 18K large Amethyst Ring</title>
		<link>https://www.iada.ie/product/french-18k-large-amethyst-ring/</link>
		
		<dc:creator><![CDATA[Louis Wine]]></dc:creator>
		<pubDate>Wed, 12 Nov 2025 20:55:50 +0000</pubDate>
				<guid isPermaLink="false">https://www.iada.ie/?post_type=product&#038;p=24505</guid>

					<description><![CDATA[French 18K large Amethyst Ring]]></description>
										<content:encoded><![CDATA[<p>Handmade C.1970 French 18K large Amethyst Ring. The Ring bezel set with a fine purple pear shaped amethyst gauging approximately 21.00 x 16.00 x 10.04 mm, approximately 17 cts, plain wide tapered custom mount and shank. Stamped with French eagle (minimum 18K standard) and maker’s mark on exterior of shank A S symbol between within lozenge. Also stamped Aarhus on interior of shank Ring Size: 7. Total Item Weight: 23.92 grams. Condition: Very good. Lovely colour to amethyst. Reflections purely from photography only.</p>
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		<item>
		<title>Georg Jensen Astrid fog design Bangle No 222 C.1969.</title>
		<link>https://www.iada.ie/product/georg-jensen-astrid-fog-design-bangle-no-222-c-1969/</link>
		
		<dc:creator><![CDATA[Louis Wine]]></dc:creator>
		<pubDate>Thu, 06 Nov 2025 23:02:09 +0000</pubDate>
				<guid isPermaLink="false">https://www.iada.ie/?post_type=product&#038;p=24495</guid>

					<description><![CDATA[Georg Jensen Astrid fog design Bangle No 222 C.1969.]]></description>
										<content:encoded><![CDATA[<p>Georg Jensen Astrid fog design Bangle No 222 C.1969. Of open brick-work design, mounted in sterling silver, inner diameter 66mm, will fit up to average 6.75 -7.00-inch wrist. Each link is 1 3/4″ long an 3/8″ across (6.7cm, 4.1cm x 1.2cm). This is a rigid bangle, no hinge, the links are handmade, the piece very comfortable to wear. Weight 90.81 grams, numbered 222, signed Georg Jensen, 925 S Denmark 222. Condition: Good. Original patina has not been overly polished, minor wear commensurate with age, no dents or bruises etc. Reflections from photography only. Iconic piece and difficult to find this model.</p>
<p>Astrid Fog 1911 &#8211; 1993</p>
<p>Her first Georg Jensen jewelry collection was in 1969 with designs that were very sculptural and geometric. Fog was also associated with Royal Copenhagen Porcelain Manufacturer. Whether producing lamps, jewelry or clothing, Fog designs were always simple and sculptural. She was also a renowned fashion designer. She participated in exhibitions at the Danish National Arts and Crafts Association. Fog’s clothing design approach was key to her success in creating jewelry, showing how individual materials relate to design, particularly in jewelry.</p>
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		<title>Antoñio Pineda 970 std Silver Mid Century Modernist Bracelet</title>
		<link>https://www.iada.ie/product/antonio-pineda-970-std-silver-mid-century-modernist-bracelet/</link>
		
		<dc:creator><![CDATA[Louis Wine]]></dc:creator>
		<pubDate>Thu, 06 Nov 2025 21:38:58 +0000</pubDate>
				<guid isPermaLink="false">https://www.iada.ie/?post_type=product&#038;p=24485</guid>

					<description><![CDATA[Antoñio Pineda 970 std Silver Mid Century Modernist Bracelet]]></description>
										<content:encoded><![CDATA[<p>Antoñio Pineda 970 std Silver Mid Century Modernist Bracelet. Pineda&#8217;s most sought after spheres designs. The 970 std (higher than sterling), bracelet comprising 14 links each individually attached by hinges. Tongue and groove closure and safety chain, original to the piece. Length: 8&#8243;. Weight: 109.5 grams. Marked with Antonio Taxco crown. Condition good. Original patina, has not been overly polished. Reflections from photography only. Antoñio Pineda (1919-2009), was an internationally renowned Mexican Modernist silversmith praised for his bold, striking designs. He studied painting and sculpture as a child, and apprenticed at William Spratling&#8217;s Taller de Las Delicias before founding his own workshop in 1941.</p>
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		<title>Art Deco English Sterling Silver Tea set London</title>
		<link>https://www.iada.ie/product/art-deco-english-sterling-silver-tea-set-london/</link>
		
		<dc:creator><![CDATA[Louis Wine]]></dc:creator>
		<pubDate>Thu, 09 Oct 2025 19:24:39 +0000</pubDate>
				<guid isPermaLink="false">https://www.iada.ie/?post_type=product&#038;p=24473</guid>

					<description><![CDATA[Art Deco English Sterling Silver Tea set London]]></description>
										<content:encoded><![CDATA[<p>Art Deco English Sterling Silver Tea set London 1926-38. Good heavy quality Batchelor’s set, each piece with plain hemi spherical body, central ribbed band surround and curvilinear handles to creamer and sugar; composite handle and finial to tea pot. Tea pot and creamer hallmarked for London 1926 E.J. Lowe; sugar 1938 Jones &amp; Son. Tea pot measures 8.00 (handle to spout) x 5.00 x 3.75 inches (height to top of handle). Sugar: 5.00 (handle to handle) x 2.50 inches (height). Creamer: 4.125 (handle to spout); Height: 1.80 inches (to top of handle). All fully hallmarked, including interior of cover to tea pot and wing nut to finial. Gross weight: 689 grams. Condition: Good. Reflections purely from photography only.</p>
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		<item>
		<title>Georg Jensen Torun Sterling Amethyst Quartz Necklace, circa 1960</title>
		<link>https://www.iada.ie/product/georg-jensen-torun-sterling-amethyst-quartz-necklace-circa-1960/</link>
		
		<dc:creator><![CDATA[Louis Wine]]></dc:creator>
		<pubDate>Thu, 24 Jul 2025 16:58:42 +0000</pubDate>
				<guid isPermaLink="false">https://www.iada.ie/?post_type=product&#038;p=24387</guid>

					<description><![CDATA[Georg Jensen Torun Sterling Amethyst Quartz Necklace, circa 1960]]></description>
										<content:encoded><![CDATA[<p>Rare Sterling Silver Necklace and double tear drop design no 135 with Amethyst and Quartz Drops Designed by Vivianna Torun Bulow-Hube for Georg Jensen C.1960, together with Necklet collar No 160. Pendant drop: 4 inches. Pendant width: 2.75 inches. Necklace collar opens by tension spring to allow for almost any size neck. Necklace stamped with full Georg Jensen marks and 160 Torun, pendant full Georg Jensen marks and design no 135. Total Item Weight: 123 grams. Ref: P 93 Fig 4-21 Georg Jensen Jewelry David A Taylor. Condition: Very good.  Reflections purely from photography only.</p>
<p>Vivianna Torun Bülow-Hube know as Torun, was born 1927 in Malmo, Sweden. Torun was the first woman silversmith in the world to gain international recognition. She studied at Konstfack, the School of Arts, Crafts and Design in Stockholm, beginning in 1945 while pregnant with her first child, Pia. Eventually she married the child&#8217;s father, a Danish journalism student. In 1948, Torun spent the summer in Paris meeting Picasso, Braque, Matisse, and the other great artists of the day. She married a French architect and lived in Stockholm until 1956 having a second child, a son, Claude. As early as 1952, Torun exhibited her jewelry, made both in Stockholm and France (and bearing hallmarks from each country) in Paris. In 1956 she moved to France with her third husband, Walter Coleman. She designed jewelry for among others, Billie Holiday which Holiday wore when she performed. The couple moved to Biot in the south of France. Torun produced many pieces during this period when young Swedish silversmiths would come to work in her studio, introducing her to new techniques. Torun renewed her acquaintance with Picasso who lived in the area and an exhibition of Torun jewelry was held at the Picasso Museum in Antibes from 1958 to 1960. On November 5, 1992, Torun was awarded the Prince Eugen medal by King Carl XVI Gustav of Sweden. bestowed for outstanding artistic achievement.</p>
<p>&#8220;It is a search for the source, the simple and natural, that impelled Torun&#8217;s creative work. Inspired by the art of primitive cultures, African, Oceanic, Egyptian, she created her forms not for the sake of beauty alone; but carefully considered both the form and function of each piece of jewellery she made. A practical detail such as the fastening is not concealed but on the contrary accentuated. She subscribed to the philosophy that what is functional is also beautiful&#8221;. Torun died in 2004.</p>
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		<item>
		<title>Georg Jensen Sterling  Bird brooch Hugo Liisberg No 300</title>
		<link>https://www.iada.ie/product/georg-jensen-sterling-bird-brooch-hugo-liisberg-no-300/</link>
		
		<dc:creator><![CDATA[Louis Wine]]></dc:creator>
		<pubDate>Wed, 16 Jul 2025 16:15:23 +0000</pubDate>
				<guid isPermaLink="false">https://www.iada.ie/?post_type=product&#038;p=24368</guid>

					<description><![CDATA[Georg Jensen Sterling Bird brooch Hugo Liisberg No 300]]></description>
										<content:encoded><![CDATA[<p>Georg Jensen sterling silver brooch featuring a flying bird duck with reeds, designed by Hugo Liisberg. Design no: 300. Designed by Hugo Liisberg 1896 &#8211; 1958. Stamped with post 1945 GJ Hallmarks (dotted oval). Sterling, Denmark. Safety catch to pin. Measures: 4.80 x 3.90 cm. Item Weight: 15.61 grams. Condition: Good. Ref: Page 138 Georg Jensen, A Tradition of Splendid Silver Janet Drucker (Schiffer Publishing Ltd., 2001).</p>
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		<item>
		<title>Georgian Silver Vinaigrette very small in size Joseph Willmore Birmingham 1814</title>
		<link>https://www.iada.ie/product/georgian-silver-vinaigrette-very-small-in-size-joseph-willmore-birmingham-1814/</link>
		
		<dc:creator><![CDATA[Louis Wine]]></dc:creator>
		<pubDate>Wed, 02 Jul 2025 21:47:29 +0000</pubDate>
				<guid isPermaLink="false">https://www.iada.ie/?post_type=product&#038;p=24355</guid>

					<description><![CDATA[Georgian Silver Vinaigrette very small in size Joseph Willmore Birmingham 1814]]></description>
										<content:encoded><![CDATA[<p>Georgian Silver Vinaigrette very small in size Joseph Willmore Birmingham 1814. Half the size of most vinaigrettes. Octagonal shaped, the cover is engraved with flowers and prick work surround, vacant centre, the base simple foliate centre engraving. Plain pierced silver gilt grille, indicative of early grilles. The interior gilding and hallmarks are excellent. including JW makers mark in circular serrated punch, his first mark used between 1797 and 1834. Joseph Willmore, who worked between 1797 and 1843, is described by Eric Delieb as &#8220;a superlative silversmith, who produced some of the finer vinaigrette shapes, with quality embellishment, he was preoccupied with fine workmanship&#8221; &#8211; Silver Boxes, page 118. Measures: 2.30 x 1.6 x 0.5 cm. Weight: 5.56 grams. Condition: Good, no repairs, tight hinge closures, good hallmarks to interior of cover, base and importantly the grille. Reflections purely from photography only.</p>
<p>A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. The interior is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged pierced inner lid or grille kept the soaked sponge in place. It may have been used to revive someone from a fainting spell. The maker of this vinaigrette, Joseph Willmore, was probably the most diverse manufacturer of &#8220;smallware&#8221; in Birmingham during the first half of the 19<sup>th</sup> century. He registered his mark at the Birmingham Assay Office as a snuff-box maker in 1808 and continued to register marks until 1843. His death in 1855 brought an end to the Willmore connection with silversmithing which had begun with his grandfather Thomas in 1773. As well as having premises in Birmingham, Joseph Willmore had a showroom in London. He was described as a gold and silversmith and patent snuffer maker.</p>
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